The normally reserved, cool artistic director of the San Francisco Ballet rises suddenly from the sofa in his office at the Ballet Association building. He hurries across the room, pauses as if he knows he shouldn't do this, then lifts a black cloth. Before him stands a scale model of the third-act set for his new production of "Swan Lake," premiering Saturday. And it's impossible not to share in his anticipation. The palace scene devised by Tony-nominated Broadway designer Jonathan Fensom looks nothing like the fusty Watteau-inspired ballroom of Tomasson's previous "Swan Lake" production, which raised the level of the company's dancing - and its national stature - at its first performances in In fact, the new set's bold spaciousness - and in particular, a dramatic focal point Tomasson wants to keep under wraps - looks strikingly different from the antiquated image much of the general public probably holds of the Tchaikovsky classic.
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